L’intuition féminine by Lukás Kándl
on the cover of Dreamscapes 2009: Contemporary Imaginary Realism
180×130, oil on canvas, 2006
I started with painting, and drawing, and for me photography was a mean(s) of drawing. That’s all.
Immediate sketch, done with intuition, and you can’t correct it. …
For me it’s a physical pleasure, photography, doesn’t take much brains. Doesn’t take any brains, takes sensitivity, a finger and two legs.
… ‘Cause a camera is a weapon. You can’t prove anything, but at the same time, it is a weapon. It’s not a propaganda mean, photography, not at all, but it’s a way of shouting the way you feel.
You see, the camera, it can be a machine gun; It can be a psycho-analytical couch; it can be a warm kiss; It can be a sketch book, the camera.
Henri Cartier-Bresson: The Decisive Moment is an 18-minute film produced in 1973 by Scholastic Magazines, Inc. and the International Center of Photography